When my favourite item in the Waitrose Weekend paper (My Best Books) was chopped to just one book a week from five, I really missed it - I just love to hear what other people rate their cherished reads, so I decided to start my own guest-blog along the same lines. Here is the second, with thanks to Paul Cornish, who writes:

I graduated with an illustration degree and went on to work in a variety of  historical sites, art galleries, museums, art/print companies,  always keeping the love of art and books at my core. I've now been working as a Library Customer Service Officer and Registrar of Births and Deaths for a few years. I love being able to talk ‘books’ with people and encourage others of all ages to read (including my three year old son). Being an avid reader, I'm now surrounded by books of all kinds on a daily basis. Was this career move just so I could get my fix without any effort?! It’s a possibility.
 
My fantastic five are: 

The Beach
by Alex Garland
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Growing up I used to love being read books, especially at bed time, by my mother but never really enjoyed the idea of reading them myself. It seemed like too much to take on. I didn’t discover how a person could enjoy being completely immersed in a fictional world until I was about 18 years old when I was given Alex Garland's ‘The Beach’. This beautiful yet brutal story seemed to grab my attention and appeal to my young self as I was transitioning into manhood, on the cusp of discovering a solitary freedom and independence in a world that can hold so much possibility yet so many hidden dangers.

Ishmael
by Daniel Quinn
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After a year living abroad and while returning to England I began to read this on the plane. I continued to read it hungrily once back home. I can honestly say that this book permanently changed my view of the world and culture we live in. After finishing it I remember feeling almost desperate to do something about the selfish and devastating way we're blindly stripping this planet in order to feed our rapidly growing population. Quinn’s powerful message is carried across perfectly on the fictional story of a character who becomes the pupil of... a gorilla. 

A Wizard of Earthsea
by Ursula Le Guin
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Quite a few books have been recommended or given to me by my oldest friend Tom, but this one ended up being by far my favourite. It’s the first story of the Earthsea Quartet and it follows the first part of Ged's life. A boy with a considerable gift in magic who struggles with himself to become the man he wants to be (or is destined to be). Beautifully composed, I believe Le Guin's writing is inspired by various anthropological and theological studies which allowed me to connect to Ged's character and the world he lives in on a more personal and spiritual level. 

The Ocean at the End of the Lane
by Neil Gaiman

This book was a birthday gift from my wife, and since reading it I have become a huge fan of Gaiman's writing. The main character of this book is a child living in a country village whose family is infiltrated by a character of increasing menace. He also befriends a very unusual little girl. It reminded me of my days walking in country lanes and fields and visiting friends in country cottages. Gaiman's ability to blur and skew the lines of reality in such simple ways had me very quickly falling in love with this story.

War of the Worlds
by H G Wells

In my early 20’s, and never having read any of Wells's work before, I began to read this at a friend’s house and I later bought my own copy. At first I felt unused to the old fashioned language, but after the unearthly events started to unfold I was unable to stop reading. I was stunned at how a man writing this in the 1890’s could even imagine such terrifying and effective alien technologies. He seemed to show how fragile the human race was at a time when the British Empire was seemingly at its proudest. I was and still am truly awed.

It’s no secret I love books. When I worked at a girls’ boarding-school, the librarian would from time to time alert staff that old stock was being deleted, at which point I would beetle down The Long Corridor to the library, heart beating fast with pleasurable anticipation, and stagger back with armfuls of weighty tomes. Food in England, published in 1954, was one such - 662 jam-packed pages of fascinating historical details collected by an eccentric Englishwoman, Dorothy Hartley, who died  aged 92 at the house in Froncysylltau she inherited from her Welsh mother, after a lifetime collecting and recording old customs. She trained as an artist, taught art, worked as a journalist and wrote on social history among other things. In 2012, Lucy Worsley made a film exploring her life-story (see link below).  

Food in England is a treasure-chest of marvellous, personally-researched and idiosyncratically-ordered recipes, old customs, ways of growing food, etc, and I consumed it at the rate of a page or two a night - slow reading, if you like. I’ve usually got a selection of books going at any time - a novel, a non-fiction, a spiritual readings book, and, the last year or so, a vintage Ladybird book - a four-course meal for bookworms! 

​Here’s  a baker's dozen of fascinating tasters from the book which might tempt you to acquire a copy. The beautiful illustrations are by Miss Hartley herself (a fact I was unaware of until I finished the book and researched the author - among my jotted reading notes I find the indignant remark - ‘artist not credited!’).

• The history of white bread, and the pre-Reformation belief in the power of consecrated bread.
• Thumb bread ... the American word "piecing" for a snack taken in the hand, has been preserved since it left England with the Pilgrim Fathers. In Yorkshire they still speak of a "piece poke" for a dinner bag.
• Recipe for 18th century Coconut Bread and for Famine Bread (from Markham, ingredients including Sarrasins corne , or Saracen's Corn).
• Description, from sixteenth century journal, of a sea-voyage when the sailors came upon a fifty year old gibbet, used to hang mutineers, from which their cooper made drinking tankards for those "as would drink in them".

• Description of the Welsh pig: “... this old-fashioned, peaceable, capable, thrifty, neat little porker ... has been kept by every Welsh miner, quarryman, and farmer, for centuries.”
• Ox-rein for Clockmakers - the long testicle cord of the bull ... was hung from a hook with a heay weight to stretch it out. Its strong gut texture was used as pulleys in some sorts of grandfather clocks.
• The famine years of the Middle Ages - ‘To realise how desperate was the famine you must know the seasons as the starving peasants knew them - close and vital knowledge.’
• A recipe for Mediaeval Chewing-Gum (or chewing wax) using beeswax, honey, ginger and cinnamon
• The middle-class Victorian household 1800-1900 section includes mention of brisk exercise before breakfast, which brought to mind the old ladies I met when I was alumni officer at the boarding-school where Enid Blyton's daughters were educated. Girls in the 1920s and 1930s were required to run to the village and back (3 miles!) before breakfast every day.
• The Hafod, or summer farm in early times, common to all mountain countries (now no longer practised in Wales, sadly)
• The old Welsh dog power churn wheel ("It is no hardship, the dogs turn up their job as gladly as their fellows turn up for their job with the sheep").
• The Queen's Cheese recipe (1600), to be made between Michaelmas and Allhallowtide, and a huge cheese, nine feet in circumference, made in 1841 for Queen Victoria from one milking of 737 cows.
• Last but not least, for fellow diehard fans of Patrick O'Brian's Aubrey and Maturin novels - the recipe for soup squares, surely Dr Maturin's portable soup!

​I look forward to foraging in second-hand bookshops for her other works - Life & Work of the People of England (6 volumes) sounds right up my street.
 
Link to clips from a BBC film made by Lucy Worsley:

https://www.bbc.co.uk/programmes/p010fsbq

On a recent visit to Wales to visit friends and family in the Valleys, we spent some time in Brecon including a rainy evening when we took shelter in the Coliseum Cinema and saw the new release Bohemian Rhapsody. Neither of us were massive Queen fans, though I've always enjoyed the old favourites, particularly on drivetime radio, but the film was extremely entertaining, and doubly so because of this cracking little cinema. Opened in 1925, when our mothers were both one-year-olds, it is still going strong at 93 years of age, with its original facade, foyer and interior decor. No chilly, faded flea-pit either, but lovely and warm, with seats brightly re-upholstered in red velvety fabric, clean loos and a welcoming staff - and everything any lover of cinema could wish for, including great sound and vision (I'm fussy about that!) with nice vintage touches like proper cinema tickets that spring out from a metal slot at the pay kiosk, a bijou sweets counter and an usherette in the aisle selling ice-creams from a traditional tray between the adverts/trailers and the start of the main feature.
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There are two screens, and the cinema also hosts the Brecon Film Society, whose 2018-2019 season includes a selection of 'the best new releases and classic movies from British and World Cinema' - usually shown on the first Monday of each month. At £35 a year (£30 concessions) it's great value, with non-members welcome at £6 a film.

I've blogged elsewhere about the wonderful Cinema Museum in London and other loved cinemas. Most of the great Valleys cinemas have long gone, and apparently the multiplex at Merthyr Tydfil has lured some locals away with its offer of £5 a pop and a two-for-one eatery next door, but that's a 36 mile round trip, and if I lived in Brecon I'd definitely support this beautiful old cinema, whose demise would be a sad loss to the community.

coliseumbrecon.co.uk/brecon/now/

Sara trained at CSSD and was an actor for many years before changing career in her fifties to become a lecturer in Early Years and education. She currently works for Beanstalk, a children’s reading charity, training volunteers to turn children who struggle with reading into passionate bookworms.

Here are her fantastic five:
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​Ballet Shoes by Noel Streatfield
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I paid 3d for this at the village fete when I was 7. I have read it dozens of times. Who did I want to be? It was either Posy, because she danced so brilliantly, or Pauline because she was beautiful and got to do theatre and eventually the movies. Nowadays I fully appreciate the efforts Narnie made to hold the family together, but I don’t want to be her. Maybe I could be Petrova and fly planes; maybe I should read it again and find out.

​Excellent Women by Barbara Pym
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This was the first of her novels that I read, tempted by the statement that she was “underrated” and “neglected”. She works on a very small canvas: mid C20 Middle England, academia, the church, awkward romances. It’s a safe, Pinewood Studios world, but not without depth and wit. I have laughed out loud at some moments and characters.

​Appetite by Nigel Slater
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I had an occasional email correspondence with Nigel Slater before he got swallowed up by Twitter. I once told him that I read this book of his from cover to cover, as though it was a novel, and he was delighted. It is almost twenty years old now, and he will admit that food tastes and fashions move on, but he consistently reeks of warmth and pleasure and variety. Keeping Smarties in the basic store cupboard is just one of his strokes of genius.

​Miss Hargreaves by Frank Baker
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A dear friend sent me this. It is bizarre, surreal and enchanting. The protagonists set up a situation for a joke and then tie themselves in knots trying to justify and then reverse it. The suspension of disbelief is key here. I believe in Miss Hargreaves, but like Norman and Henry, I don’t have any rationale. Enormous fun.

The Blue Flower by Penelope Fitzgerald

I loved this book so much when I first read it that I saved reading it again for a time when I could pay it fullest attention. It is very romantic, so brilliantly evocative and so clean and spare in style. I send copies to people all the time, sharing the joy.

Having read quite widely on the First World War, I found much to reflect on in Svetlana Palmer and Sarah Wallis's collection of extracts from diaries and letters, written by those on opposing sides of the conflict, and accompanied by a useful connecting narrative from its authors. It makes for deeply moving reading, and shows,  if anyone ever doubted it, what an appalling waste of life and resources war is, and that regardless of who is blamed for the initiation of war, opposing military combatants, civilians, creatures and the earth itself suffer equally. 

One of the many insights offered by these personal writings are the preconceptions of The Other - and how they affect the writer's thinking and actions.

Vasily Mishnin, on the Russian front line sector of the Eastern Front north of Warsaw, writes in January 1915: 

The Germans are putting their trench in order, and we can see them taking their mess tins to fetch water... This is our enemy? They look like good, normal people, they all want to live and yet here we are, gathered together to take each other's lives away.

German officer Ernst Nopper, stationed in Poland in 1915, writes of a Polish fortress town that has fallen to the German advance against Russian troops:

Inside the fort I was particularly surprised by how clean the barracks are, everything is scrubbed and bleached ... we are wrong to accuse the Russians of being sloppy and untidy all the time. In one of the areas abandoned we found several paintings wrapped in newspaper. I was very surprised to find they were of a rather high quality. We should really ask ourselves why we think so little of the Russians. But it is true that culture hasn't really got through to the ordinary people here, unlike in Germany.

His next entries go on to illustrate, in addition to seeing the Slavic peoples as somehow lower in worth than Germans, the deeply anti-Semitic views which were widely held in Germany and which were to contribute to the rise of Nazism just a few short years later.

French officer Paul Tuffrau fights in the Battle of Verdun, which I recall learning at school in the 1960s, 'bled France white' - the campaign, which, like the Somme, was designed to draw German forces into two large divided fronts. On 25 December 1916, by which time the battle has been going on for 300 days, with 352,800 German casualties, and 348,300 French, he writes:

At 6pm I leave in the dark and the rain to visit the A-33 trench area, which cannot be reached in daytime. Beaudoin, the officer commanding, tells me that around three o'clock the Fritz, 250 or 300 metres away, sang them Christmas carols in French, beautifully.

And in February, after two weeks on leave:

... the men's faces are contorted by the cold and exhaustion. Red-rimmed eyes, red noses, pale skin, blue ears, beards hung with icicles. Sweat freezes right away and looks like snow on the horses' backs and on the men's overcoats. Our shoes cannot grip on the frozen earth as we march.

Many confided their innermost thoughts to their diaries, which they took care to keep hidden, for obvious reasons.

Paul Tuffrau records a conversation with General Mangin, second in command at Verdun, when the former attempts, unsuccessfully, to secure leave for his men, who unlike the British, are only allowed one day of rest after each 24 days on the front line:

Then, with a brief salute, he went back into his well-heated private office where it's easy to avoid the reality and talk of the greater good. As for me, I was stunned by his extraordinary refusal to acknowledge the courage of the men ... That night, after hearing this 'heroic' pep-talk, I led my men along the tracks that were horribly muddy and slippery. Some of them were crying with exhaustion and rage.

Turkish officer Mehmed Fasih is stationed at Gallipoli, and writes, in November 1915:

A great chasm exists between the fellows who do all the fighting and those who merely talk about heroism and victory ... what a tragedy it will be if all men who are still fighting here have to die like their predecessors.  Just so that a handful of cowards can enjoy a taste of fame.

At 21 years of age, he writes that his hair and beard have grown grey already, and that his moustache is white.

The chapter In The Bush shows how the war extended, among other places, to Africa, where there was a renewed scramble by the European powers with already established colonies for territorial gains, and  subsequent huge damage to the people of the African nations caught up in the conflict. African porters and labourers were used by both sides, and an estimated 100,000 to 120,000 employed by the Germans and as many as 250,000 recruits on the British side perished from malnutrition, disease and accidents. A further 300,000 native East Africans died as a result of famine caused by war recruitment and requisitioning.  German settler Dr Ludwig Deppe, who provided medical support to the German forces, wrote, a year after the end of the war:

Behind us we have left destroyed fields, ransacked magazines, and, for the immediate future, starvation. We were no longer the agents of culture; our track was marked by death, plundering and evacuated villages.

The chapter on The War at Sea contains an account by Johannes Spiess, Watch Officer on U-boat U-9, of his, and the submarine's, first patrol mission in the North Sea, six weeks into the war, and the jubilation of the crew when they sunk three British light cruisers, two of which, HMS Cressy and Hogue, had gone to the rescue of the first, HMS Aboukir. Although I'm sure a British crew would have done more or less the same, (though earlier Royal Navy officers, and I'm referencing Patrick O'Brian's fictional Captain Jack Aubrey, would surely have regarded it as deeply unethical to attack a ship without any warning, from a hidden position) I found it quite shocking to read this, as the Chief Yeoman of Signals on the Aboukir, Alfred Assiter, is named on our local War Memorial, and less than a month later, the U-9 would sink HMS Hawke, on which two more men from my town perished. As a non-combatant, and one who, unlike my older relatives, has been fortunate enough not to have lived through a war, it is naturally in those moments when I make a personal connection that I feel the horror of war most keenly. I understand that there has been a big reaction to Peter Jackson's We Will Remember Them among young people, who have suddenly seen the soldiers as resembling those living now rather than flickering distant black and white history. 

Particularly moving are the diaries featured of two children - Yves Congar from Sedan, a town in north-eastern France, and Piete Kuhr from the East Prussian town of Schneidemuhl.

Yves' father is one of a number of men taken hostage to ensure the compliance of the town's population, and sent to Germany to work. Yves himself narrowly escapes detention, at 14, after having being reported calling the occupying Germans the 'Boche'.

Piete, initially patriotic, becomes disillusioned as time goes by, and writes, in February 1918:

I don't want any more soldiers to die. Millions are dead - and for what? For whose benefit? We must just make sure that there is never another war in the future. We must never again fall for the nonsense peddled by the older generation.

So, just a few extracts picked out from a superb anthology which I can highly recommend to those readers who, like myself, are not so much students of military history, but of humanity in times of war.

A large number of events have been organised, in a spirit of thanksgiving for those who gave their lives in World War One.

The Guardian, 12 August 2018, wrote:

In the early morning of 11 November more than 3,000 bell towers across England, Scotland, Wales and Northern Ireland will ring out with the sound of “half-muffled” bells, like a slow march, in solemn memory of those who lost their lives.

Then, at midday, bellringers at each tower across the UK will remove the muffles from the clappers and at about 12.30 they will ring open. “The national mood swings then to gratitude and gratefulness and thanks,” says Christopher O’Mahony, president of the Central Council of Church Bell Ringers.

Before 1914 the vast majority of bellringers in the UK were male, but the loss of so many men to war meant many more women took up the role. Today there are between 30,000 and 35,000 men and women bellringers in the UK, and still more are being sought for Armistice Day. The aim is that bells sound not just in the UK but across the world.

The British and German governments are encouraging other countries to ring bells at the same times in the same way, expressing the reconciliation of former enemies in sound. “Bells will ring out across the world to replicate the outpouring of relief that took place in 1918, and to mark the peace and friendship that we now enjoy between nations,” says the culture secretary, Jeremy Wright.

I love the sound of church bells ringing, and I am sure that all the bell-ringers taking part have spent many hours of dedicated hard work in preparing for what has been billed as a celebration, one hundred years on, of the first Armistice Day, when peace was declared at the end of a most terrible war.
 
"A passing-bell, for those who died as cattle" - in the words of Wilfred Owen's Anthem for Doomed Youth.

However , I have very mixed feelings about this. I spent seven years, in my spare time, researching a book on those named on my local war memorial, not to glorify, in a nationalistic way, the wars in which they died, but to record their suffering and their loss to their community. I believe I might have done the same, had I settled in Germany, for the local war memorial where I lived. My understanding, strengthened by accounts I've read of wars of all kinds, is that soldiers and civilians suffer on all sides, regardless of who it is judged initiated hostilities. I am currently reading the excellent A War in Words: The First World War in Diaries and Letters by Svetlana Palmer and Sarah Wallis, in which the authors note that little over a month after the assassination of Archduke Franz Ferdinand in Sarajevo, five empires were at war and millions of soldiers were mobilised, all the nations involved convinced they were fighting a defensive war, forced upon them by someone else.

With the current toxic climate in Britain, I expect plenty of flag-flying and jingoistic drum-banging by right-wing nationalistic elements, along the lines of 'our boys died for our country, and now it's being taken over by _____ (insert perjorative xenophobic term)'.  It would be as well to remember that Britain and her allies called on the men of their colonies and dominions to join the fight, and that many did so and lost their lives - these included men of the Caribbean (the fathers of the Windrush generation who we have seen treated so disgracefully in recent times), Africans, Indians (including Hindus, Muslims and Sikhs), Australians, New Zealanders and Canadians. The Neuve-Chapelle Memorial  in the Pas de Calais, for example, commemorates more than 4,700 Indian soldiers and labourers who lost their lives on the Western Front during the First World War and have no known grave.  Chinese labour corps were brought in to clear away the debris of that war, including thousands of abandoned and decaying corpses.

Harry Patch said: "War is organised murder, and nothing else." Can we in all honesty and decency celebrate the end, 100 years ago, of one war, when so much of humanity is still undergoing appalling atrocities world-wide, in some cases being killed with weapons manufactured in Britain and being sold for profit, disregarding any other principle? The In Flanders Field Museum in Ypres has a banner hanging over its exit gate listing the wars fought throughout the world since 1918. I'm sure it's grown considerably longer since the first time I visited.

Lastly, I suspect our current Tory government, whom I regard as being very much part of our current toxic social and political climate, will be playing the 100th Armistice for all it's worth, as an opportunity to parade their ideology and views on British values. Will this include a commitment to improving conditions for those ex-servicemen and women who now live by begging on our streets (an echo perhaps of the thousands of ex-soldier tramps of the 1920s), suffering from PTSD, and refused universal credit?  Will the government continue with their verbal attacks on EU leaders, portraying them as the enemy of British interests in the Brexit negotiations, often adopting scandalously insulting language from WW2 for a cheap soundbite in the Mail, Sun or Express, and generally directed at our German friends? Will they give due credit to the contribution the European project has made in bringing peace to Western Europe since 1945 - where for so many centuries the blood of fallen soldiers in ongoing conflicts has fertilised  its land? Will they work harder to solve the issue of the internal borders on the island of Ireland, where peace accords, fought so hard for, are in danger of collapsing? 

I honour with reverence and gratitude the men and women who suffered and died in World War One, and I also have great respect for all the thousands of volunteers up and down the country who have been busy organising events for this one hundredth armistice, however, I for one don't want to see Theresa May's or any of her cabinet's long faces at the Cenotaph on 11 November.

LINKS: 

Harry Patch on the War:
http://noglory.org/index.php/multimedia/video/540-harry-patch-and-the-pointless-mass-murder-of-the-first-world-war

Homeless ex-servicemen
https://www.mirror.co.uk/news/uk-news/least-13000-hero-soldiers-left-11847000

Former servicemen pensions:
https://www.mirror.co.uk/news/uk-news/up-300000-brave-former-servicemen-13488569

​2018 Armistice Day events:
https://armistice100.org.uk/events/

In our house are many bookshelves, and books waiting to be read, and included in these are ones that have waited patiently for many years. One of these was Land of My Fathers, the passionate and partisan overview by the late Gwynfor Evans of 2,000 years of Welsh history. This edition, published in 1974, holds special significance for our family, as my late father-in-law, who worked as a printer at Gwasg John Penry in Swansea, actually typeset both it and its original version in Welsh (Aros Mae). Dycu was a fluent Welsh-speaker who occasionally quoted Welsh poetry to me, (with translation) hoping to convey the beauty and lyricism on his language to me.

Gwynfor Evans was in turn Vice-President, President and Honorary President of Plaid Cymru, the Welsh national party, and the establishment of the Welsh speaking TV channel S4C is attributed to his threat to go on hunger-strike, forcing Margaret Thatcher to make good on the Conservatives’ manifesto promise which they were keen to renege on.

I married a Welshman in 1980, and spent many happy times in the years since visiting family and friends in South Wales, where I have always been received with the warmest hospitality.  As a reader, over the years, I’ve read short stories, novels, poems about Wales, the Mabinogion, some 20th century history, seen plays, enjoyed seeing the wonderful Max Boyce live, listening to Welsh music, etc, but Evans’ book has been a real eye-opener for me about the illustrious and unique spiritual, cultural and social history of Wales, its people and its language. I have felt both deeply sad and very angry sometimes at learning of the damage done to them by what Evans terms (and I must say, I can only agree) English imperialism. I have also been moved by the beauty of the poetry quoted.The book consists of 453 pages, and is written accessibly for the lay reader - Evans was not an academic, but a lawyer and MP, so he quotes from Welsh historians whose work has informed him.  There’s a great deal of ground covered, and I feel stimulated to go on to read more deeply and widely.  I am also hoping to enrol to learn (a long-held ambition) the Welsh language - . It has survived against all odds in Wales, given the onslaught of English policies, and since devolution, efforts have increased to support it, but it sadly has a long way to go to come anywhere near the level in the mid 19th Century (before the advent of the Welsh Not), when 90% of the population was Welsh-speaking. 

When we moved out of London in the 1980s and bought a cottage in a Sussex village, we planned to grow organic vegetables in the large area of rough grass at the back. This overgrown garden had many years previously been a market garden, containing two old apple trees (Jubilee variety, perhaps planted for Queen Victoria’s Jubilee), and the earth was a lovely dark loam. My husband did most of the design, laying out and upkeep, but I assisted with digging, weeding, growing and transplanting seedlings, slugging etc. We had a very large area, growing a wide range of crops, from beetroot to sweet corn, broccoli to potatoes, saladings, courgettes etc.

After decades of cultivation, there wasn’t any treasure left to discover (it had at one time been the site of a mediaeval fair, I believe, so past gardeners may have turned over some interesting coins while digging), but during our ten years there, we did find a few tiny dolls’ heads, game counters, pieces of clay pipes, etc, even a bullet case, which may, who knows, have dropped from the skies during the Battle of Britain?
Towards the end of our time at the cottage, on an afternoon when I felt very low in spirits and in need of some sign from the God of my understanding that, essentially, all was well, and all would be well, I sent up a silent but heartfelt prayer while digging over a bed right at the bottom of the garden. The very next spadeful turned up a tiny china dove.

I cherish it still.

When we first published my book Southborough War Memorial through Odd Dog Press we had a modest print run, and when this was sold out, there didn’t seem to be a case for a further re-print, though we did subsequently produce a Kindle version. Fortunately, with the advent of print on demand, we are able to publish a revised version, with some extra material I’ve been sent by relatives since the first edition in 2009. I’m particularly pleased to include a photograph of George Furey, a Newfoundlander whose tremendous act of courage went largely unrecognised, apart from by those who witnessed it or whose lives he saved in December 1942.

A book which lists as much detail as I could find in my research on the two hundred and fifty-five listed on the local war memorial in our small town must, by its nature, be a niche offering, and yet, if you read through it, you would, in an oblique way, be absorbing a universal story - of the effects of war on any community. There were those who died of battle wounds, certainly, but also others who died in accidents while training or on active service, of influenza, or of drowning. Many left families behind to struggle with grief and poverty, some hadn’t had time to outgrow their teens, and there were those who died after the war’s end as a result of their experiences.

I have a page on my website for those not commemorated, and for those wounded. Of course, the wounds of war are not always visible, and we know that there were many who were irrevocably affected by war trauma, tucked away in mental hospitals, out of sight, to end their days.

This book is a small contribution to recording the effects of war; it was a labour of love that brought it to fruition, and I am personally happy it is no longer out of print. I was recently contacted by the grandson of a First World War casualty, whose descendants are planning to gather at his grave on the one hundredth anniversary of his death.  My hope is that public commemorations taking place this year of deaths which occurred a century ago will, for many of us, serve not as jingoistic celebrations of Britain’s long-past empire, but for the opportunity to reflect on those suffering in wars both in 1918, 2018, and every season in between.

I believe there is a Chinese proverb that goes something like ‘May you not have sons in times of war’. Indeed. Though today of course this may extend to daughters.

The father of Harold Dowdell (commemorated on Southborough War Memorial and on the Thiepval Memorial to the Missing of the Somme) wrote in his diary on hearing of his son’s death in 1916:

Echoes and shadows in the home. I am not stunned but overwhelmed. My dear brave loving cheerful, thoughtful boy.

and two years later, when he lost a second son, Ernie, at Arras in April 1918:

With aching heart I reached home in afternoon. My desolate home.

Click here for online ordering.